Entertainment
Is Scarlet Witch Actually A Villain, Or a Victim of Circumstance?
Fans of the Scarlet Witch can’t seem to agree if she is a villain or a superhero so writer Marku Blackwell breaks it down.
The Scarlet Witch has been a controversial figure in comics since House of M. The MCU version has seen a smaller-scale rise to infamy with her actions in both Captain America: Civil War and WandaVision. But is she as bad as some people seem to think?
Some Context, For Those Who Need It
Scarlet Witch aka Wanda Maximoff was introduced alongside her twin brother Quicksilver aka Pietro Maximoff as reluctant members of the very first incarnation of Magneto’s Brotherhood of Evil Mutants introduced in X-Men #4 in 1964. Magneto rescued the siblings when people in a fictional eastern European village called Transia wanted to burn Wanda as a witch when her then-mutant power (later retconned to not being mutant power, but legitimate witch power from the start, thus making the village correctly want to burn a witch, but I digress) activated and scared the villagers. Feeling indebted to Magneto, they agreed when he asked them to join his Brotherhood.
This is all to say that from the very beginning, even if out of duty, Wanda was introduced out the gate with a villainous past, one which would be counted against her from time to time even when she became a legitimate hero. Wanda and Pietro left the Brotherhood after a short time among them and joined the Avengers under Captain America. Quicksilver, Scarlet Witch, and a then-recently-villainous Hawkeye had all been very questionable additions to the Earth’s Mightiest Heroes but were vouched for and under the direct supervision of golden hero Cap. This would most assuredly rehabilitate the reputations of all three former villains and most people would see them as heroes and Avengers first and foremost, but Wanda and Pietro would also be the token mutants (pre-retcon) who would need to stay on the beaten path or else mutant-kind could be painted in the worst possible light. Hence we get into…
Wanda’s Children, Their Deaths, and The Avengers Hiding It From Her
Perhaps the main thing to know about Scarlet Witch is that she has suffered greatly in both the MCU and the comics. But here we will continue discussing the comics version. Wanda has always been strange. She was seemingly a normal mutant with strange probability-altering powers, who later learned real magic from the witch Agatha Harkness, revealing Wanda had a talent for chaos magic. It only made sense that the great love of her life would be the synthozoid (a very human-like android) Avenger known as Vision, a being of pure order (many call Wanda and Vision’s love the ultimate union between chaos and order). The two married, but as he is not a biological being, it was scientifically impossible for the couple to conceive a child. But the whole deal of the Scarlet Witch and her powers, even back then, was to make the impossible possible. Using her hex powers, Wanda made herself pregnant with two healthy twin boys.
Unfortunately, happiness for the family would not last. It was later revealed that as Wanda could not create life from nothingness, she had inadvertently taken fragments of wayward souls to then be created into her children. The seeming owner of those souls is the sorcerer known as Master Pandemonium who reclaimed the boys as fragments of his soul. It was later revealed that the souls were fragmented portions of the essence of Mephisto, Marvel Comics’ answer to the devil. Mephisto had led Master Pandemonium to believe the fragments were his own so that Mephisto would save the trouble of getting them himself as he was fractured and didn’t want to expend the energy. Long story short, Wanda’s twins were reabsorbed as if they never existed, and Wanda couldn’t cope. Her mentor, the witch Agatha Harkness, cast a spell to erase Wanda’s memory of the children and warned the Avengers not to mention the children to her ever again, to which they agreed. The Avengers at some point before or after this also allowed a horrible thing to happen to Carol Danvers in Avengers #200 which has since been retconned (trigger warning for SA if looking into that storyline), so they allowed Wanda to live life not knowing she’d given birth to and subsequently lost children was not out of the realm of possibility for them.
Avengers: Disassembled and House of M
During the events of Avengers: Disassembled a tipsy Wasp (Janet Van Dyne) accidentally told Wanda about her children, restoring her memories. She was furious that her friends and teammates let her children die and let Agatha tamper with her memories of them, and so she killed Harkness and secretly plotted devastating attacks against them with simulated enemies that led to the deaths of Vision, Hawkeye, and Scott Lang the Ant-Man (it is later revealed he had been saved, teleported away by a future Scarlet Witch). It was Doctor Strange who intervened and put Wanda in a coma to stop the threat just as she was revealed as the culprit of the attacks. It was here that Doctor Strange declares that chaos magic does not exist and that Wanda’s powers had merely grown to reality warping.
While Wanda was comatose the Avengers had a meeting with several other Marvel heroes including the X-Men to decide the fate of Wanda and what should be done about a threat of her caliber. Several Avengers, though angered at her actions, still thought of her as a friend and thought she should be helped somehow while Emma Frost of the X-Men voiced that if the public found out that a mutant had been responsible for the deaths of celebrated figures such as three Avengers that human-mutant relations would go back decades and it would be over for the mutant race as they knew it, basically saying Wanda needed to be put down. Before anything could be done, Wanda warped all of reality and created a world where mutants were the majority and the heroes got what they wanted. But when that reality came down, Wanda, angered that her father Magneto (who had been made leader of that reality) had taken his anger out of Pietro and prioritized the mutant race over his children, who were revealed to be the person who convinced Wanda to do what she did, uttered: “No more mutants” which depowered ninety-nine percent of the entire mutant population. Many mutants died as some lived in environments that relied on their mutations to survive in, others took their own lives after losing their powers, and others were maimed/disfigured/or otherwise hurt from being depowered. It was the single worst day in mutant history, and many blame Wanda in particular.
MCU Wanda, Some Context
Wanda and Pietro Maximoff were introduced in the MCU in Avengers: Age of Ultron. Wanda’s complex origin and powerset were simplified to a telepathic/telekinetic young woman who assumed Stark weaponry was responsible for the bombing of her village of Sokovia (apparently the MCU equivalent of Transia), killing her parents. Wanda and a much slower-paced Pietro (he was killed by gunfire, of all things) became radicals, protesting Stark Industries and later joining HYDRA to oppose Tony himself and the Avengers where they seemingly got their powers. Powered by the Mind Infinity gem (yes, I refuse to call them stones, they’re infinity gems), Wanda got souped-up Jean Grey powers which admittedly looked cooler than anything Jean’s done in live-action, but were Jean nevertheless. She also went by her civilian name and wore a minidress as Jean has. Keep in mind Joss Whedon, the writer-director for the film was also a massive X-Men fan and a fan of the Dark Phoenix saga, so the similarities are far from coincidental.
But getting back to the subject at hand, Wanda, like in the comics, began as a villain in the MCU and decided to join the Avengers partway through her film debut. Her life had already been marked with tragedy when she lost her parents but also lost her brother in the middle of their first foray into heroism. Later falling in love with the MCU version of Vision, she lost him as well when she had to kill him to save the universe, only for her sacrifice to be undone and being forced to witness an even more brutal death for him before she herself was killed along with half the universe.
Westview and MCU Wanda’s Version of the House of M
Wanda had been revived via time travel and a new infinity gauntlet along with the rest of the half of the universe that had been snapped away by Thanos. After she almost killed him by herself in battle, even before finally learning of her magical roots, Wanda would attend the funeral of Iron Man and later search for Vision’s body. During this time none of her so-called friends never thought to check on her or even recover Vision’s body made of priceless resources (also, you know, the body of a fallen friend). Wanda found where he was held, discovered there was no essence left in the lifeless husk, and left. In her grief, she unleashed her power in an empty lot for a house Vision had bought for them premortem that they would build. Wanda was able to create a house from nothingness as well as recreate Vision himself, also inadvertently taking over the surrounding town to create an idealized world for her to live out an idealized sitcom life with Vision and their eventual family. When Wanda was a child she watched American sitcoms with her family on DVD as a respite from their otherwise humdrum and stressful lives.
During this situation, Wanda unwittingly attracted the attention of a powerful witch named Agatha Harkness who wanted to know what witch could unleash such power without any real spells or even basic knowledge of witchcraft or magic. Agatha posed as Wanda’s friend and neighbor Agnes and did a bunch of underhanded things to try and provoke a magical response from Wanda and learn more about her magic, later deducing that her power is a nigh-unlimited form called chaos magic, even greater than that of the sorcerer supreme’s. Agatha reveals herself to Wanda as a witch, teaches her some basic witchcraft principles which later prove her undoing, and travels with Wanda into her memories to reveal that Wanda was born a witch who might have unwittingly cast a probability hex (a nice callback to her comic version’s original powers) to disarm the missile that landed into her family’s apartment as she and Pietro hid under their bed and they waited days for it to ignite but it never did. The mind gem had merely awoken what might have died out inside, for not all witches have their power to grow and mature, many have their magical potential die if unnurtured or cultivated. Wanda finds herself as a magical being, a witch, and the Scarlet Witch, but she also knows that she had enslaved and mind-controlled an entire town. She had to free the town and undo her hex, and in the process lost her husband and children, thus experiencing loss once again.
But Is She Bad, Or Nah?
Many feel that Wanda more so than Tony is responsible for the creation of Ultron. She planted the vision in his mind of the dead Avengers and a quickly dying Cap telling him he did not do more. So Tony decided to do more and created a global sect of Iron Man armor to patrol the world, controlled by a new A.I. called Ultron that would run them. Ultron gained sentience and the rest was history. However, Wanda had no idea that Ultron would threaten the entire planet, she just assumed he might take out Tony, the man she assumed had bombed her village and killed her parents. Once she learned of Ultron’s true plan, she and her brother joined the heroes. And while Tony may not have personally bombed anything, he was a weapons dealer and the existence of that missile as well as other weapons is his fault.
While training under Cap, Crossbones tried to explode himself to kill Cap and several civilians on the ground. Wanda encased him in a telekinetic bubble and tried to move him into the air to let him explode away from people safely. As she rose him up she couldn’t hold the explosion and it took out the upper floors of an occupied building, killing civilians. Some fans blame her for this action as well. But clearly, the girl was horrified and distraught. And what was she supposed to do? If she did nothing, everyone on the ground would have died too, including many of these same fans’ favs such as Cap or Black Widow. It was an impossible situation no one could have anticipated or properly prepared for, and Wanda was the only one with the power present to do anything about such a high-stakes situation with no time to deliberate. It was the only thing she could do with the power at her disposal at the time. The fact of the matter was that Crossbones should bear any blame for the bombing, but people like to have someone alive to blame and pass judgment on.
What Wanda Haters Love To Overlook in the Comics and MCU
Wanda Maximoff in both the comics and the MCU is a figure marked by tragedy and mental illness. While even mental illness could never completely excuse or erase unethical or, yes, evil acts, many haters of the Scarlet Witch act like the woman just wanted to watch the world burn. In the comics, she wanted to punish her friends, rightfully so, for letting her children die (no matter how or where they came from, they were her children), and for allowing her mind be tampered with rather than letting the woman properly grieve. The thing about grief is that even if it is suppressed, it still affects people in ways that can’t be anticipated even if one does not fully understand why. People can be hurt even if they have amnesia and can’t remember the details as to why something affects them. The Avengers just wanted to have Wanda be useful to them and go on business as usual instead of accepting that allowing her to grieve might very well mean she might not be of any use to them anymore or want to hang out with them. While murder was a bit much, she deserved retribution from all responsible parties in other ways. As for House of M, it was established that Pietro was the actual mastermind of the reality shift and it was Magneto’s temporarily brutally killing him (which was instantly undone by Wanda) that was the straw that broke the camel’s back and led to her speaking those infamous words and undoing the majority of mutant-kind.
But a few things here must also be recognized: as Wanda is going off on Magneto, she says he only loves mutants and then calls them and herself (again, pre-retcon when she was also a mutant) freaks. One can read this as a self-loathing of the coon-ish variety but with mutants instead of Black people. But one might also remember that Wanda and Pietro, and then mostly Wanda by herself once Pietro left the team, were token mutants on a world-famous team of superheroes in a mostly anti-mutant world. There had even been some people in the story who seemed unaware Wanda was even a mutant at all, which suited the Avengers and Wanda fine. And those who knew Wanda was a mutant tolerated her because she was an Avenger, one of Earth’s Mightiest and surely someone worthy enough to be a part of their ranks isn’t all bad, right? It is quite likely that Wanda had developed a complicated relationship with her (assumed) mutant status, coupled with the fact that her (assumed) father was also Magneto, a known frequent mutant villain and terrorist.
We must also remember that Wanda had said no more mutants. Not “mostly less” mutants. So why did her spell fail to depower all mutants instead of the majority of them? To my knowledge, no storyline explored why this was, but it is possible that Wanda’s intentions were not to truly end the entire mutant race in a way that they would die. In real life the reason is obvious, we still needed most of the key X-Men characters to retain their powers so we could keep having X-Men adventures, sure enough, many X-Men members and related characters who were thought to, or, indeed, be depowered got their powers back somehow later on.
In the MCU, Wanda had lost her parents at a very young and tender age, lost her brother, her only remaining family the moment she joined forces with the man she grew up hating, and never got any counseling or therapy for any of that before she was being trained to be a part of a new team. Then she found solace, the only solace in her strange synthozoid teammate with whom she fell in love and had to watch die, twice, and once by her hand! Then she was robbed of her rightful chance of vengeance when the purple villain cheated to survive. Finally, everyone was so absorbed over Tony’s death that nothing and no one else was even considered. That goes for Black Widow who couldn’t even get a photo at the memorial. That goes for Wanda and everyone else who had experienced extreme loss. But no, only Pepper and Tony’s friends as well as Hawkeye with his family for the bulk of his arc in the movie (he even gets them back and couldn’t be bothered to show up for his so-called “friend” Wanda who was one of the only ones who did not get her loved one back!).
And then… Yeah, it didn’t end there. Wanda finds Vision’s mangled body being torn apart by scientists, and none of the Avengers thought to look for or claim his body and give it to Wanda for burial. Wanda then, in a fit of uncontrollable grief, brings back the love of her life and creates a slice of sitcom paradise by enslaving a town. Was it wrong? Yes. But as far as she was aware, they were in an idealized world with her and were fine until it was clear they weren’t and then she let the hex go, resulting in the loss of her love once again… as well as her children that she gave birth to, just like in the comics. So while Wanda did terrible things in both continuities, many other people played their parts. It was not all her, and others did horrible things that fans often ignore: Tony in the MCU (and possibly the comics, but I don’t know much about comics Tony) was a weapons dealer pre-Iron Man, Cap went back in time to live his best life with Peggy Carter instead of helping end Jim Crow with knowledge of the future as well as a super soldier-enhanced body (he also undid Peggy’s marriage and children as well as grandchildren with her original husband she married after losing Cap the first timeline, as well as all of her character development detailed in the Agent Carter series), Doctor Strange risked the fabric of the multiverse just to do a solid for Peter Parker’s identity and his friends’ college futures, and Widow and Hawkeye had red on their ledgers. Not to mention Tony was out here not paying his Avengers despite all those billions! Share the blame people! Wanda is not the only one doing bad things!
Intro
Video games are among the best forms of entertainment for many people. It allows one to take direct control of the entertainment by actively controlling the action to move the story along. Games allow us to truly be some of our favorite characters.
The X-Men are one of the most iconic fictional groups of characters of all time. The women of the X-Men are among the very best of all American comics and other forms of media. These characters have helped shape and inspire countless fans. Even many casual fans with the most basic of knowledge, or even none at all, have seen characters like Storm, Wolverine, or Jean Grey even in passing. So why is it that so many X-Men games featured very little, one, or at times none of their iconic ladies?
Classic sexism or misogyny seems to be the obvious answer. Likely also the notion of a predominately male audience with a perceived preference to control male characters over female ones. Do they think younger boys or grown men would only want to play as men? And even in the case of the explicitly hetero male gamers: do they think they wouldn’t want to look at and play as sexy ladies kicking ass? Either way, let’s look at some of the history of X-Men and larger Marvel games featuring the X-Men and discuss why an X-Women game is necessary, and what it could look like.
Disclaimer
As always, this opinion is subjective and your mileage may vary. This article will focus on X-Men-specific games as well as larger Marvel games. Wolverine games will be skipped because he is typically going to be the sole playable character in those titles. This article focuses on games in which X-Men characters are playable. Aside from one mobile game, which remains the final solo X-Men game to date, I will be leaving out all other mobile games from the article.
Why the X-Women Deserve Their Own Game
The women of the X-Men have been underrepresented in video games. They have been absent, vastly outnumbered by the men, or otherwise underutilized as a whole. There are X-Women who have never appeared in a video game, let alone been playable. Other times, depending on the game, a woman character might be very poorly handled (Emma Frost in the first X-Men Legends game comes to mind) or given very little to do (Psylocke is unlocked towards the end of the same game, and there was no new game plus, so this would always be the case no matter what).
The Women of the X-Men are not only iconic but their designs and powers are often very well suited for video games. The only main exceptions are Kitty Pryde (screw her anyway for her three uses of the n-word in the comics) and Mystique (whose shapeshifting does nothing for combat or offense in most games). But the X-Men as a whole have serious untapped potential for exciting new characters to be explored in games and other media, and their women are no exception.
X-Men Games and Playable X-Women
The Uncanny X-Men (1989) for the NES only had Storm playable of six playable characters.
X-Men: Madness in Murderworld (1989) for Commodore 64 (chile… what now..?) and PC had Storm and Dazzler playable of six characters.
X-Men: Fall of the Mutants (1990) for PC had Jean Grey, Kitty Pryde, Rachel Summers, Rogue, and Dazzler playable of fifteen characters (a good amount, but a lackluster ratio of women versus characters overall, this will be a recurring theme. Also why not Storm??? Supporting but not fully playable for some reason).
X-Men (1992) for Arcade, PS3, Xbox 360, iOS, and Android had Dazzler and Storm of six characters.
Spider-Man/X-Men: Arcade’s Revenge (1992) for Sega Genesis, Super NES, Game Boy, and Game Gear had Storm of four playable X-Men (as well as Spider-Man, obviously).
X-Men (1993) (they really came up with an interesting title for the next solo X-Men game just one year after the last…) for Sega Genesis had zero playable woman characters.
X-Men (1994) (lmao… am I being trolled right now?) for Game Gear had Storm, Rogue, and Psylocke of seven characters.
X-Men: Mutant Apocalypse (1994) for Super NES only had Psylocke of five characters.
X-Men: Children of the Atom (1994) for Arcade, PC, PlayStation, and Sega Saturn had Storm, Psylocke, and Spiral of thirteen characters.
X-Men 2: Game Master’s Legacy (1995) for Game Gear had Storm, Jean Grey, and Rogue out of seven characters.
X-Men 2: Clone Wars (1995) for Sega Genesis only had Psylocke of seven characters.
X-Men vs. Street Fighter (1996) for Arcade had Storm and Rogue of eight X-Men characters.
X-Men 3: Mojo World (1996) for Game Gear and Master System (who???) had Psylocke, Rogue, and Shard (hooray for Shard, but no Storm? Not even Shard’s more famous brother Bishop was playable).
X-Men: Ravages of Apocalypse (1997) for PC had no playable X-Men. Instead, you fight their clones, and some of them are X-Women.
X-Men: Mutant Academy (2000) for PlayStation and Game Boy Color had Storm in both versions and Phoenix was only playable as a secret character in the Gameboy Color version out of five characters in both versions (Beast was playable in PS1, absent in GBC).
X-Men: Mutant Wars (2000) for Game Boy Color only had Storm out of five characters.
X-Men: Mutant Academy 2 (2001) for PlayStation had Storm, Rogue, Phoenix, Psylocke, and Mystique out of eighteen characters.
X-Men: Reign of Apocalypse (2001) for Game Boy Advance had Storm and Rogue of four characters (and one of the very rare even splits).
X-Men: Next Dimension (2002) for PlayStation 2, Xbox, and GameCube had Storm, Rogue, Phoenix (with some of Jean’s pink psi powers), Dark Phoenix (with mostly fire-based powers), Betsy (telepathic, X-Treme X-Men Psylocke with classic psi-knife), Psylocke (X-Men 2000 telekinetic Psylocke with psi-katana), Mystique, Lady Deathstrike, and Sentinel B (which had a feminine design) out of 24 or 25 characters.
X-Men Legends (2004) for PlayStation 2, Xbox, GameCube, and N-Gage (whatever that is… I heard about it back then, but never saw one) had Storm, Jean Grey, Rogue, Psylocke, Jubilee, Emma Frost, and Magma out of fifteen characters.
X-Men Legends II: Rise of Apocalypse (2005) for PlayStation 2, Xbox, GameCube, PSP, mobile phone, PC, and N-Gage had Storm, Jean Grey, Rogue, and Scarlet Witch on the console versions. Dark Phoenix was a PSP exclusive. These characters were out of 18 characters across versions.
X-Men: The Official Game (2006) for PlayStation 2, Xbox, GameCube, Game Boy Advance, Nintendo DS, and Xbox 360 had zero playable X-Women out of five playable dudes across versions.
X-Men: Destiny (2011) for PlayStation 3, Xbox 360, Wii, and DS had no playable historical X-Men, only original characters. Of those three playable characters, one was a girl.
The Uncanny X-Men: Days of Future Past (2014) for iOS and Android had Storm, Kitty Pryde, Polaris, and Scarlet Witch out of eight characters.
Other Games
Marvel Super Heroes (1995) for Arcade, PlayStation, and Sega Saturn had only Psylocke of four playable X-Men characters.
Marvel Super Heroes: War of the Gems (1996) for Super NES had no playable X-Women and no playable women whatsoever.
Marvel Super Heroes vs. Street Fighter (1997) for Arcade, PlayStation, and Sega Saturn had no X-Women or any other Marvel women.
Marvel vs. Capcom: Clash of the Super Heroes (1998) for Arcade, PlayStation, and Dreamcast had Storm, Rogue, Psylocke, and Jubilee of ten X-Men characters and twelve Marvel characters overall.
Marvel vs. Capcom 2: New Age of Heroes (2000) for Arcade, Dreamcast, PlayStation 2, Xbox, PlayStation 3, and Xbox 360 had Storm, Rogue, Psylocke, Spiral, and Marrow of eighteen X-Men characters and 28 Marvel characters overall.
Marvel Nemesis: Rise of the Imperfects (2005) for PlayStation 2, Xbox, GameCube, PSP, and DS had Storm of two X-Men characters and twelve Marvel characters across versions.
Marvel Ultimate Alliance (2006) for PlayStation 2, PlayStation 3, Xbox 360, Wii, PSP, GBA, and PC had Storm and Jean Grey (a striker character in GBA only) of 10 X-Men characters and thirty-eight Marve characters across versions.
Marvel Ultimate Alliance 2 (2009) for PlayStation 2, PlayStation 3, Xbox 360, Wii, PSP, GBA, and DS had Storm, Jean Grey, and Psylocke of 11 X-Men characters and thirty-four Marvel characters across versions.
Marvel Super Hero Squad (2009) for PlayStation 2, PC, DS, PSP, and Wii had only Storm of three X-Men characters and eighteen Marvel characters.
Marvel Super Hero Squad: The Infinity Gauntlet (2010) for PlayStation 3, Xbox 360, Wii, DS, and 3DS had only Scarlet Witch of three X-Men characters and sixteen Marvel characters.
Marvel vs. Capcom 3: Fate of Two Worlds (2011) for PS3 and 360 had Storm, Phoenix, and X-23 of 7 X-Men characters and nineteen Marvel characters in total.
Marvel Super Hero Squad: Comic Combat (2011) for PS3, 360, and Wii had only Scarlet Witch of two X-Men characters and ten Marvel characters overall.
Marvel Heroes (2013) for PC had Storm, Rogue, Jean Grey, Psylocke, Emma Frost, Kitty Pryde, X-23, Magik, and Scarlet Witch out of twenty-one X-Men characters and many more characters overall.
Lego Marvel Super Heroes (2013) for PS3, 360, Wii U, PS Vita, 3DS, PC, Xbox One, and PS4 had Storm, Jean Grey, Phoenix, Emma Frost, Psylocke, Polaris, Mystique, and Dark Phoenix of twenty-nine X-Men and many characters overall.
Marvel Ultimate Alliance 3: The Black Order (2019) for Nintendo Switch had Storm, Phoenix, Psylocke, and Scarlet Witch of thirteen X-Men characters and fifty-two characters.
Marvel’s Midnight Suns (2022) for PS5, PS4, Xbox One, Xbox Series X/S, and Windows has Magik, Scarlet Witch, and Storm (DLC) out of five X-Men characters (finally, the women outnumber the men) and seventeen characters overall.
What an X-Women Game Could Look Like
The game should be multi-platform and have absolutely no system exclusives. Storm should be the leader of the team and one of the focal characters, if not THE main character. An open-world, Marvel’s Spider-Man-type situation would be awesome, but a linear RPG wouldn’t be bad either. The key thing is that it must have excellent graphics, cutscenes, storytelling, dialogue, voice acting, and gameplay. Emphasis on replay value would also increase it’s appeal.
Just like in past games in which X-Women were assistants or supporting characters, the men can serve those functions here. We don’t need a reason for the men not to be playable like they were kidnapped or something. They can be there and play roles in the story and assist on the sidelines, but the women need to shine.
The ladies (and even the men, you just won’t play as them) should have several alternate costumes spanning their comics’ histories, other media versions, and their Hellfire Gala looks. The villains should also include famous women X-Men villains such as Mystique, Destiny, Madelyne Pryor, Selene, Malice, Lady Mastermind, Martinique Jason, Danger, and maybe Cassandra Nova and/or Moira MacTaggart as the big bads. The villains should also include male X-Men villains because beating up men as women is always a good time.
The possible roster should include Storm, Jean Grey (also as Marvel Girl, Phoenix, Dark Phoenix, and the White Phoenix of the Crown), Rogue, Captain Britain (Betsy Braddock), Psylocke (Kwannon), Dazzler, Emma Frost, Jubilee, Monet St. Croix, Firestar, Polaris, Rachel Summers, Magik, X-23, Siryn, Wolfsbane, Karma, Magma, Mirage (dark-skinned, please and thank you), Frenzy, Dr. Cecilia Reyes (as the Afro Puerto Rican she is, thank you very much), Scarlet Witch, Blink, Nocturne, Sasquatch (Heather Hudson), Sunfire (Mariko Yashida), Namora (Exiles), Petra, Sway, Callisto, Marrow, Domino, etc.
And no Kitty Pryde. We don’t even need to mention her, sorry but not sorry.
After countless gritty Superman stories as of late, it’s nice to have a fresh take on the Man of Steel who once again has a heart of gold. My Adventures with Superman, a Max original animated series, reimagines the origins of Clark Kent aka Superman, and his first meeting with Lois Lane and Jimmy Olsen as interns at The Daily Planet. The series is whimsical, humorous, and heartwarming, but also action-packed and unexpected in delightful ways. This series sets up familiar and greatly desired traditional beats. It also shakes the table with some unexpected twists and turns and changing relationship dynamics.
As a disclaimer, there will be SPOILERS for the entirety of the first season of My Adventures with Superman. There will also be some spoilers from other Superman-related content: the DCEU (Man of Steel, Batman v Superman: Dawn of Justice, Justice League/Justice League: The Snyder Cut, etc.), the Injustice franchise, Smallville, Lois & Clark: The New Adventures of Superman, the DCAU (Superman: The Animated Series, Justice League, and Justice League Unlimited), and various comics of Superman himself and characters based on him.
Familiar Faces with New Shades and Other Qualifying Characteristics
The show introduced some new takes on key characters’ backgrounds and appearances. Lois is now East Asian and more of a tomboy, and Jimmy, much like his Supergirl TV series counterpart, is now Black. We also have Livewire and other villains with different ethnicities, and others being gender-bent, like Heat Wave. Some fans weren’t thrilled.
Well, they can choke. The little issues that exist have nothing to do with the way any of these characters look. These characters, for the most part, all maintain the same spirit of the versions we are accustomed to. They feel like the same people, with some minor exceptions, but we’ll get to that later.
Lois, Clark, and Clois
Clark is once again the big, tall, very handsome, mild-mannered, and well-meaning small-town boy. Lois remains the beautiful, driven, intrepid reporter (well, intern) hungry for a story. The show manages to keep their respective beloved qualities but amp them up to eleven. Now Clark seems even sweeter, almost to the point of being gooey. Lois is much more impulsive and anxious to break stories and make a name for herself. She, along with Clark and Jimmy, are unproven. They are at the bottom, working out of the mailroom, and they need big stories to become respected top reporters. Lois’ drive is the largest of the trio when it comes to reporting.
As for the budding relationship between Lois and Clark, this time around we see more chemistry and sparks flying right away, though it still takes some time for them to admit feelings for one another. Their traditional banter is downplayed, likely in part because they both start out in humble beginnings. Traditionally, Lois is already established as a seasoned reporter (and some versions already with at least one Pulitzer) when she gets saddled with newbie reporter Clark Kent from bum-fuck-nowhere. She snaps at him, calls him ‘Smallville’, and tells him not to get in her way.
Here, Lois understands that she needs Jimmy and Clark to break the big stories and is much more willing to work as a team, as they are all in the same boat. It is nice, however, that Perry (also Black, like his DCEU counterpart) established right away that Lois has been an intern for a year, while Clark and Jimmy are brand new, so she still has a little seniority over them. Either way, the friendship dynamic between the three feels natural, as does the inevitable love connection between Lois and Clark.
Black Jimmy 2.0: Is He Better Than the First Model?
In a word, yes. In two, hell yes. Nice for the latest version of the character. Sad for Mechad Brooks and fans of that world and his character. James Olsen of the DC CW was treated horribly. James was stripped of almost anything resembling Jimmy Olsen as a longstanding comic character. Many fans felt Mechad was cast and written to be a hunk to win Supergirl’s affection. And when the show moved from NBC to the CW, he abruptly ceased that function too. Instead, he became a boss with little to do, relationships no one cared about, a superhero arc that was derided by the title character, and then put on a bus to nowhere.
Meanwhile, this new animated Jimmy feels like Jimmy, but like Lois, he is amped up. Still a goober and goofy as hell, geeky, and a little annoying (let’s face it, most traditional Jimmy Olsen’s are), Jimmy here is also a massive conspiracy theorist. A believer in aliens and bigfoot, among other things, Jimmy is definitely the member of the trio with the most open mind. Sadly because he is also the third wheel, he is also often the odd man out. He rightfully feels betrayed when his friends literally fail to show up for him. Aside from his own usefulness as a photographer and reporter, the show did a wonderful twist with the reveal that Jimmy already knew Clark had powers even before the first episode. Hungry for more clicks on his Flamebird channel, he could have easily exposed Clark for clicks but didn’t. That’s loyalty.
How Does This Lois Stack Up to Other Iconic Lois’s
Some Great Lanes
Dana Delany remains the very best voice for Lois Lane of all time. Teri Hatcher was the perfect marriage between Silver Age Lois the reporter and Lois Lane the modern woman. Amy Adams was a very strong Lois Lane (though saddled with some unsavory choices, like giving up her job when Clark died). Erica Durance was the perfect Pre-52 modern Lois, the fighter and army brat as well as reporter.
This New Lane
Our new Lois has shades of some of these other Lois’s and perhaps even more. Like Smallville‘s Lois, she is more tomboyish. She is also very driven and determined like all Lois’s and a very hard worker, hungry for a big story. She also learns who Superman is very early on a lot like the DCEU version. The main difference here is that we still had some time for Lois to meet and interact with Clark beforehand. This gave traditionalist fans some comfort in that familiar dynamic.
However, it is still refreshing to see her figure it out with her reporter skills. In the very next episode, she grills Jimmy for Clark’s whereabouts coinciding with Superman’s activities. It very much gave Silver Age Lois Lane where Lois would try to prove Clark is Superman. Ultimately, much like Chloe Sullivan from Smallville and Jimmy on this show, Lois decided not to tell Clark she knew until he was ready to tell her himself.
The new Lois is just that, new. So time will tell if she too will become as iconic as other Lois’s. So far, it’s looking pretty good.
Tech-Based Villains
It is interesting as a concept that most of the villains with any sort of powers come from alien tech. Smallville was famous for having their villains of the week owing their powers to kryptonite exposure. Most of the villains are enjoyable, though some just feel like basic adaptations with little more than similar names and abilities. Livewire, for example, is named Leslie Willis and uses electricity, but there is little known about her. Was she ever fame-hungry? She doesn’t necessarily need to be a radio personality or podcaster, but her desire for notoriety and power are core elements of her traditional personality. Her attire suggests she might be military or ex-military. What if she wanted to be the top cadet or soldier? What if she wanted the most medals of honor and got carried away in that pursuit? We should explore.
Others are fine, but I would like more variety with power sources. Silver Banshee is a literal demon in the comics. Her power comes from magic. Superman doesn’t do well against magic. Her being just another tech villain is a missed opportunity to demonstrate this fact.
Otherwise, the General, and maybe Ivo remain some of the better villains. The others work fine and have their moments, but I just don’t know enough about them to feel connected.
My One Real Concern. Please, God… NO MORE EVIL SUPERMAN!
One of the later episodes of the season of this show revealed to Lois and the audience that Superman isn’t always good. There are worlds in which he is evil and the world’s biggest threat. Humanity is a cornerstone of Superman’s character, and humanity comes with darkness. Even the best versions of the character have been tempted or corrupted (if not by red kryptonite, then a spell, mind control, or deception) by the dark side. This is not a bad thing. No one can be all good or all bad all the time. There needs to be nuance.
Evil Superman stories can be fascinating if handled well. Some of the examples above are handled very well. However, these stories are simply being done to death at this point. Some of them are still ongoing! The main appeal of My Adventures with Superman is that it is very light and an enjoyable, easy watch. Bringing back dark, doom and gloom DC, yet again… is not an easy watch. Sometimes it’s fine to let Batman have the darkness and Superman have the light. It’s also okay to remember that Wonder Woman is a warrior and that she, not Clark, makes the most narrative sense to snap a neck as a last resort. But that’s another article for another day.
In Conclusion…
This show is a lot of fun. All of the talent involved do a great job and the show is easy to enjoy. It provides the kind of whimsy that is absent in a lot of DC content not aimed directly at kids. It is also edgy enough to satisfy fans who need a little spice with their sweet. The key characters ring true, and while some of the villains feel one-note, that can hopefully change down the line.
If you like the relationship between Superman and Lois, try this show. If you like funny, a little silly, and a little serious mixed up, check it out. If you like tall, well-built men who are kind and obliviously sexy (Clark is shirtless at one point and his body is lovingly illustrated), give it a whirl. If you like Superman, it will most likely strike your fancy.
Check out My Adventures with Superman on Max. Let me know what you think about it in the comments.
An Important Note
This review was published during the WGA and SAG-AFTRA strikes of 2023. The work being reviewed would not be possible without the labor of writers and actors. We support the writers and unions that protect the creatives of our favorite projects. We stand in solidarity with them.
Intro and Disclaimer
A spin-off of The Vampire Diaries, which I also despise, The Originals managed to avoid some of the more melodramatic teen drama elements of its predecessor series, but amplified other ones that began there. Once again, the lore established here was very strong, particularly when it came to the magic and its many rules, functions, and types. Acting performances were usually very strong, though in some cases often a bit too strong and bordering hammy *cough cough Klaus*. Whereas romantic love seemed to be the main theme of Vampire Diaries, this series focused primarily on the themes of family, legacy, and heritage.
But the show had racist implications, overtones, and undertones. We again buried gays, but at least here there were a lot more and they (even the men) got to be more intimate with each other. There were also massive plot holes and continuity errors. However, in this article, I want to focus mostly on the messed up racial dynamics and situations that took place that many in the fandom choose to explain away or ignore.
Just like with my Vampire Diaries article, this is not an exhaustive list of everything wrong with The Originals. We would be here for days if I did that.
An Exceptionally Overpowered White Family
The Mikaelson Family is the original family of vampires and the progenitors of all vampires in the Vampire Diaries universe. They have existed for about one thousand years. They are mostly Vikings. As vampires grow stronger with age, they are physically the strongest vampires in existence, those still around anyway. The Original vampires are immune to the conventional means of killing vampires. Only wood from a White Oak tree can kill them. Klaus destroyed all traces of White Oak, so nothing can kill them now. That is until the series finale, that is.
Extremely overpowered, the Mikaelson Family has given into baser instincts and fucked up the lives of countless people, making various enemies. They also often wonder why so many people hate them. Why should people be sorry that some immortal assholes with superpowers slaughtered the people they loved for food, kicks, or sheer boredom?
The Mikaelsons being unkillable, namely, Klaus, makes them boring and lowers the stakes considerably. Most times antagonists merely cause them pain, inconvenience them, or go after people they care about who can die. People who love to bitch and moan about Jean Grey or Wonder Woman being overpowered should meet these jerks.
The Marcel Problem
The Originals established that Klaus adopted a young biracial slave, whom he named Marcellus (better known as Marcel). Marcel had been the son of a slave master who had r*ped a slave, leading to his conception. The boy’s biological father didn’t acknowledge him because he was Black. Klaus adopted the boy, raised him, and later turned him into a vampire when he became an adult. Marcel stayed with Klaus and his siblings until the Mikaelsons fled from the return of their father Mikael hellbent on eradicating all vampires, but them in particular.
Marcel stayed behind in New Orleans and eventually managed to take over the area and become king. Klaus, now free from fleeing from his father returned to see what Marcel accomplished. Klaus for some reason decided not to be proud of his son and his accomplishments and decided he needed to be king and take everything away from Marcel. The series sees Klaus, Elijah, and other Mikaelsons going against Marcel. They kill his friends and subordinates. They treat him like shit despite the fact that they raised him from childhood. Even worse, Klaus’ biological child takes precedence over Marcel and the narrative frequently ignores the fact that Marcel is Klaus’ son in many ways including his romantic relationship with his adoptive aunt Rebekah. But more on those later.
Hayley is Family, But Not Marcel
While the Mikaelsons closed ranks on Marcel, they welcomed Hayley with open arms. All because she and Klaus hooked up one time during The Vampire Diaries prior to the spin-off and the writers decided a vampire/werewolf hybrid (but still a vampire as he is undead) should be able to procreate (very Twilight of them). Elijah, in particular, falls in love with Hayley when he realizes that her child with his brother might finally redeem him. Ew. She gave them Hope (pun intended) and thus she’s cool.
Elijah Only Values Whiteness and Blood Relation
Elijah only saw value in Marcel because he thought the boy (and later man) might be the key to redeeming Klaus. Marcel couldn’t redeem Klaus because Klaus is a fucking bloodthirsty psychopath and nothing will change that. It was never Marcel’s job or purpose to redeem a man several lifetimes older than him. Nevertheless, Elijah felt Marcel’s only purpose in existence was null and void. He said to Marcel in a later season “you are not wanted, needed, or welcome.” Sounds about alt-white.
Great White Hope
Much like Renessme from Twilight, this character should not exist. Normally, I despise people who complain about women characters being “too strong”, but since Hope is the embodiment of the worst family ever, I am complaining here too. She is the first “tribrid” in existence: a powerful witch and granddaughter of the “original witch” Esther (who wasn’t even the first witch, but whatever), daughter of the original hybrid Klaus, and daughter of Hayley’s royal werewolf bloodline.
The real reason I can’t stand Hope and exclusively refer to her as ‘Great White Hope’ is because she is considered by the narrative, the fandom, and most of the characters outside of Klaus to be Klaus’ only child. She is of the right blood. Also, she is white. This not only elevates her importance based on the fact that she is biological but also the right color (or lack thereof). Her biology also grants her obnoxious god-like power. Meanwhile, most of the Mikaelson family refuse to even acknowledge Marcel as Klaus’ son on the basis of biology. This is already fucked up because adoption matters, but implicitly his race also discounts it.
Marcel and Rebekah… As a Couple
Marcel and Rebekah having a sexual and romantic relationship was the first sign that the narrative didn’t truly consider Marcel Klaus’ son. It moreso seemed to regard him as a ward. However, at multiple points, Klaus explains to Elijah, Hayley, and others that he saw Marcel as his son. Rebekah and the others clearly didn’t agree. Plus somehow Rebekah must’ve never seen Marcel as her nephew despite helping raise him from a young age. At best, Marcel’s race and lack of blood relation meant she simply never considered him family to her, which would be horrible enough. At worst, she saw him as family when he was young, but once he was older and hot, she didn’t anymore. That would feel a lot like grooming…
I have to note that Klaus strongly opposed Marcel and Rebekah being together, but it was played/implied more as ‘you, Negro, are not worthy of my white sister’ and Klaus being angry with Marcel for overstepping, rather than Klaus feeling as though this is incest and/or grooming.
Either way, the show sometimes reinforced Marcel as Klaus’ son through occasional dialogue from Klaus himself, meanwhile they carried on with Rebekah and Marcel as a couple. They married. Disgusting.
Elijah’s Disposable Ethnic Love Interests
Elijah has had several love interests spanning The Vampire Diaries and The Originals. Of his white love interests, there was Tatia, Katherine Pierce, Elena Gilbert, and Hayley Marshall-Kenner. All of them, some more than others, were given the kind of attention, care, focus, and gravitas of any major Vampire Diaries or The Originals love.
However, his Black and ethnic love interests didn’t get the je ne sais quoi the white ones got. He got over Celeste quickly, maybe because she was evil (but so was Katherine). He did mourn Gia for a few episodes when she died, but he got over it. Meanwhile, Cami died and Klaus never fully forgot or got over her. Aya had very valid reasons for wanting to be free of him and his sire line. He forgot her too.
Keelin, Freya, and the Stockholm Syndrome Romance From Hell
Sometimes the ends don’t justify the means. Freya and her family kidnapped this doctor. They put a device over her mouth while she was tied up. All while she was played by a Black actress. The writers either somehow didn’t know the racial implications of a Black person being held captive with advice forcibly put over their mouth. It was giving dog-muzzle. But who cares? Keelin fell for Freya, and vice versa, anyway! Plus another important queer couple comes about!
I can’t decide if this twisted, fucked up “romance” is better or worse than simply burying the gays…
Black Witches Literally Used for Their Bodies and Talents…
Just when I thought The Vampire Diaries slaughtering Black and ethnic characters left and right and having Bonnie be the Magical Negro (while also slaughtering her from time to time) was bad, we get this shit. Maybe the writers thought that because not all of the witches possessed by formerly-deceased Mikaelsons were Black, we should ignore the ones that were. But I refuse.
Sure Kol possessed a white boy witch, and Lenore wasn’t Esther’s only host, but this shit is still racist and fucked up. White vampires (or spirits, rather) possessing and literally using Black bodies as meat puppets, human shields (as, if the host dies, it doesn’t necessarily kill the spirit, they can get a new host), and using their natural talents for their own. White vampires (except Esther who was herself a witch) using the magic of these Black witches is literally magical or supernatural cultural appropriation. The Originals established that much of the magic of the witches is ancestral. Do these Black witches not have Black ancestors..?
Aside from Vincent, who goes on to be a series regular and a fascinating character in his own right, the other possessed witches simply get killed off and the spirits largely get their original bodies back.
In Conclusion
There are a lot of problems with this show despite some interesting concepts and solid performances. This and Vampire Diaries have extensive problems when it comes to race. With Julie Plec as the showrunner of both series, it comes as no surprise.
The writers have often claimed to have colorblind casting and views, but the moment they made Marcel a slave who was also the product of r*pe, they made it about race. When it comes to created characters, nothing happens by accident or “naturally”. This is curated work, and curated work is created by choices.
In speaking of choices, there will not be an article about the third series of this universe, Legacies. The reason is simply that I sat through two series by people I hate and dealt with racism and plot holes and terrible popular ships already. I choose not to watch a show starring Great White Hope and her adventures. Even I have my limits.
An Important Note
This review was published during the WGA and SAG-AFTRA strikes of 2023. The work being reviewed would not be possible without the labor of writers and actors. We support the writers and unions that protect the creatives of our favorite projects. We stand in solidarity with them.
Intro and Disclaimer
The Vampire Dairies is something that had me in a chokehold for years. It has also long been the thorn in my side. It had interesting lore and characters. There was cheesy romance, hot people making out, and lots of violence and gore, for network tv. I genuinely had some good times with it. However, I also found myself rolling my eyes, scratching my head, and screaming in frustration more than once.
I have mixed feelings about this show, but mostly negative. The mistreatment of Black and queer characters was offensive. The worst ships and most annoying characters overstayed their welcome. They diminished characters that could’ve been great.
This article is about everything I found wrong with this series the most. There are more problems with this series technically and creatively than I could possibly list. The article would never end.
The most important thing is to know who to blame. A show with some of the worst problems, and one of the most toxic fandoms ever to exist. Julie Plec.
Racism in Mystic Falls
Let’s begin with one of the biggest issues of all. Julie Plec and company changed the origins of Stefan and Damon Salvatore from the Italian Renaissance to… the Civil War… Guisseppe Salvatore, their father, for some reason, was all about the Confederacy and Damon enlisted to please him. Yikes. Later seasons would retcon Damon as a Confederate loafer and deserter. Yet Stefan would later cite Damon’s involvement as a positive because it “pleased their father”.
Julie… are you okay???
Tyler Lockwood (pictured above in Confederate garb) is probably the wealthiest person in town and his mother, Carol, talks about their lovely antebellum structure and the parties they would have. Tyler mentioned cells below, with chains, and Carol says “We don’t talk about those rooms”. Mind you, these chains were for the Lockwoods being werewolves. But this is also an antebellum house, in the racist South… so it can definitely be inferred that the cells and chains served more than one purpose. Not to mention the implications either way. Carol also claimed, “People don’t like to reminisce about the slave days”. Which people, Carol? Because I highly doubt you, your family, or your peers happily taking part in antebellum-styled social events, dresses, and curls take issue with that.
Bonnie’s Mistreatment
The horrendous mistreatment of Bonnie Bennett could easily fill a book. Bonnie, who was a white redhead in the books, became a Black girl in the show and the most powerful person in the main cast. And what did Bonnie do with all that power most of the time? Serve, rescue, and help her white friends out of jams. Very rarely were Bonnie’s motivations or goals explored. She had to be there to help the writers out of corners they wrote themselves into and to prop up her friends. Bonnie got the weakest of romantic options, which I will get into later because that is important in this show. Plus the wigs they forced poor Kat to wear were often horrendous.
Her Magic
Bonnie’s powers were impressive but often inconsistent. Her own powers knocked her out. There were weird rules and consequences to using her magic that didn’t seem to affect other witches. She rarely got to take out any enemies at all even on a casual basis, despite her many powers. Elena. Elena of all people, got more action and took out more enemies. Caroline too saw a lot of action sequences. Bonnie mainly got to do big rituals for narrative purposes. They were not to really make her look badass. It’s like every white person got to flex and be cool. But Bonnie was just a tool, used and ignored.
Plus they took away her powers, often for seasons at a time! She died and became the ‘anchor’, so she wasn’t a witch anymore and had no magic powers. Then she had to give up her powers later on and didn’t get them back until Enzo died. With telekinesis and pyrokinesis, among other things, Bonnie should have been taking out vampires and other enemies left and right, but Plec just couldn’t let Bonnie be as cool as any other character, especially the white ones. Rebekah, Katherine, Damon, Stefan, Klaus, Elijah, Caroline, and even Elena and Jeremy had to outshine her in action sequences.
The Ships
The Vampire Dairies mostly developed or elevated characters through their romantic relationships. Yes, the show was also heavily about supernatural lore, the history of the town and characters, and the actions and motivations of the characters themselves. But as a teen drama, the relationships were very much at the forefront, or at the very least everpresent alongside the other elements.
Delena and Stelena
The most popular ship seems to be Delena: Elena and Damon. It was the classic “good girl and bad boy” as well as the human girl/supernatural boy pairing. But it was terrible and obnoxious. It did not make sense with who these two characters were. Elena wanted normalcy and agency. Damon loved being a vampire and wanted to take control and had no problem taking Elena’s choices away when it suited him. While Stefan was boring, he cared about Elena and respected her choices. He too also wanted to be normal again and didn’t like being a vampire. He and Elena were the most compatible.
Bamon
Meanwhile, Bonnie and Damon were also a ship from the books the show was based on, but Plec and company saw fit to avoid them getting together at all costs. Despite Damon having been a Confederate as well as a (mostly formerly) sadistic vampire, Damon would have been a great asset to Bonnie’s character. He was the most popular character in the show, and anyone paired with him got screen time and development. This would have elevated her. Most Bamon fans didn’t want it to happen because they thought Damon was worthy of Bonnie or deserved her, it was about what the ship would have done for her character.
And if there had been Black writers worth a damn in charge, Bonnie and Damon could have unpacked how and why his involvement in the Confederacy was fucked up and what that meant for people like her and her ancestors he knew (namely Emily). Despite all of that, Damon and Bonnie still managed to be more viable for a romantic relationship anyway because their friendship took seasons to develop. One-sided fear, to enemies, to grudging respect, to genuine concern, to deep friendship. When Elena was basically dead, Bonnie and Damon had the perfect opportunity to get together. But the writers felt that the most popular character should mope and cry for two more seasons than be sexy and eligible again.
Other Ships
Klaus and Caroline were also popular but their ship, like Delena for Damon, make Klaus a softie for a teenager rather than the badass he should have been. Matt and Caroline were sweet, but it was puppy love and not meant to last.
They handed Jeremy to Bonnie like an afterthought. She was his third choice after Vicky and Anna. He also cheated on Bonnie with Anna’s ghost. They gave her Luka, which didn’t even really happen and then quickly he died. Her sorta-stepbrother Jamie disappeared from the show and was never mentioned again. Bonnie wasn’t even Enzo’s first choice! He was sweating Caroline, but the fans didn’t like it so they killed that. Then he wanted Stefan and Damon’s mom but they killed her. And then time skip and… and he and Bonnie are soulmates??? Zero development, zero buildup. They’re “in love”. And she didn’t even get that because Enzo also dies. Worst of all, he becomes a ghost and he’s invisible to her… despite the fact that she’s both a psychic and a witch and has been able to see ghosts the entire series…
Disposable Black Characters (Mostly Witches)
Literally, all of these characters (except for Jamie who just disappeared from the show) all died. Some of them died in the same episode they appeared. Gloria and Bree were witches who were antagonists for only an episode, so it makes sense. The main insult is that powerful witch Gloria couldn’t tell “Elena” was Katherine and a vampire. I know witches aren’t inherently psychic… but couldn’t she sense the power or evil of Katherine..? As for Bree, she didn’t even use her powers at all before Damon violently killed her and she went out pleading… what a waste of Gina Torres! Emily died offscreen, but she was basically Katherine’s slave… even if the wiki wanted to say “handmaiden”. Sure, Jan.
Lucy promised to come back and see Bonnie… back in season two. She isn’t mentioned again until season 7 where it’s revealed she died and then her ghost is shown helping Bonnie in the series finale… yay. Rudy Hopkins, Bonnie’s dad is the only Black character besides Bonnie with any real import because he got to be mayor for a while… until he was violently murdered in front of the entire town who was mind controlled not to react or do anything… Plec sure loves killing Black people in fucked up ways! Just like the entire Martin family in season two. All dead. All forgotten.
And then there’s More…
There are more dead Black witches and characters than I showed here. Many of the witches were just slaughtered by (mostly white) vampires, despite having powers literally designed to kill them. Even Gloria could have stopped playing around with her enemies and actually set their asses on fire or telekinetically threw stakes in their chests, but no… death for her instead. I guess in a show where everyone dies, it doesn’t matter when you kill off marginalized people..? Speaking of marginalized…
All Four LGBTQ Characters of Note… All Dead
Bill Forbes
Bill Forbes, Caroline’s dad, was originally mentioned as a throwaway line/dig from Caroline to her mother “If I want advice about guys, I’ll call dad. At least he’s successfully dating one”. Ooh, burn! Caroline’s mom lost her man to another man! How hilarious!!! It gets… so much worse when we meet him. Bill’s storyline is a gay conversion storyline in which he, a gay human, is figuratively straight and homophobic wants to “cure” his daughter, a straight vampire, into being human again… via torture. Shocker, it doesn’t work.
Later Bill dies because he is in the process of becoming a vampire (against his will) and refuses to complete the transition, opting to die instead. It’s like the only way to survive is to be “gay” one time, but he’s like “No!!!!” and he dies. His boyfriend is mentioned but never appears and when Bill is about to die, Caroline asks if she wants her to call him so they can talk, and he says no… because they haven’t spoken in a while… Amazing gay representation.
Luke Parker
Luke, like his twin sister and other family members, was a powerful witch. He was also gay, which we knew because he announces to his sister “I’m gay, and your brother”. She was about to get dressed and he was just in her room and was annoyed, and that line was his rebuttal. As if you being gay and someone’s brother means it’s not still creepy or a violation of privacy to just be in people’s spaces unannounced where they could get or be naked.
I’m gay and my sister’s brother, but I do not want to see her in any state of undress and would be deeply uncomfortable if she just changed in front of me. Luke also mentions an ex as well as a hot radiologist we never see. In college, he was never shown kissing or interacting with any guys in any romantic or sexual way, while Elena and Damon smashed every episode.
Nora and Mary Louise
These two lesbian heretics (siphoner witches, aka witches who have to absorb magic in order to use it, as well as vampires, the combination meaning they absorb the magic in their own vampire blood in order to use magic all the time while also having vampire powers) were cute, but they were in one of the worst seasons. In general, villains worked best when they were independent (with the Original Family of vampires being the only exception, but they were also fleshed out individually). But groups of villains never worked well, namely the Travelers and the Heretics. Unlike the other gay characters of import, Nora and Mary Louise did show physical affection and kisses, and they were in love onscreen together.
But they also died together not long after reuniting after a falling out. Bury Your Gays on top of all your racist tropes and bad ships… oh Julie, you’re like the gift that keeps on taking.
Katherine, Stefan, and the Series Finale
Katherine
Katherine Pierce was the character that really showcased Nina Dobrev’s range as an actress. She was badass, fun, and very powerful. More powerful than the vampires she made, Stefan and Damon. As I mentioned in my Iconic TV Villains article, I love seeing women vampires being stronger than the men they made who always seem to forget how vampire aging works and that they cannot defeat vampires older than them (strength-wise) let alone their own sires. But boy do they try anyway…
I couldn’t put any of the Vampire Diaries characters in my previous article because they either became woobies for love and thus less threatening or enjoyable (Damon and Klaus), they came in aspiring to go to the prom and dances despite being a thousand years old (Rebekah) or showed racist tendencies that were not taken seriously by the writers or fandom (Elijah, more on this in my article on The Originals coming up).
In Katherine’s case, while being enjoyable ninety-nine percent of the time, her ending sucked. No longer a vampire stronger than the vampires who weren’t the Originals, Katherine was just grabbed and manhandled without a fight, and burned. She was allegedly the “queen of hell” who got over on Cade (who was basically the devil) but she had no real powers to defend herself or raise hell (no pun intended).
Stefan
Stefan too. Long brooding, long suffering from the guilt of his actions as a vampire, decided he needed to die for his brother and the woman he loved to be together. He forced-fed his brother the cure in his blood and held Katherine as they died together. Mind you this was right after he just married Caroline, his consolation prize because the woman he really loved decided she loved his brother instead. Stefan, a man who always wanted to be human, never wanted to be a vampire, loved Elena and wanted a normal life… sacrificed his life so that his brother, who loved being a vampire, could have a normal life with someone who wanted different things from him… glorious.
In Conclusion
This show lives rent-free in my mind. It’s a part of me now. It’s not a welcome thing, as it has been a near-constant source of ire for me. It might be due to the years-long outrage I’ve had over it. Maybe it’s my love/protectiveness over Kat Graham and the character of Bonnie that had me watch the entire series at all. Either way, this series was very polarizing for me, and it did far more harm than good for Black and queer representation.
I will always have rants about this shit show, and I will always have hate in my heart for Julie Plec, Caroline Dries, and the other creatives involved that ignited one of the worst fandoms I ever experienced. The treatment of Bonnie and Kat Graham is also one of the first things that made me really see that the CW definitely has an antiblack problem.
Paying It Forward
This review was published during the WGA and SAG-AFTRA strikes of 2023. The work being reviewed would not be possible without the labor of writers and actors. We support the writers and unions that protect the creatives of our favorite projects. We stand in solidarity with them.
Intro and Disclaimer
A great villain can make even the most insufferable of projects, protagonists (*cough* *cough* Danny Rand), or plot points all the more watchable. Great villains can make us laugh, cry, rage, leer, or even recognize some of the disturbing sides of ourselves. There are villains we love to hate. Villains we actively root for, whether it means reveling in villainy or becoming redeemed. In my opinion, the best villains make you feel all kinds of things. But above all they make you think. Are they evil? Maybe, maybe not. Are their actions at least understandable? Let’s explore some badass, morally gray, or ethically bereft people featured in various TV series.
Much like my article on memorable queer characters in TV, this list is subjective. This is one thousand percent my own opinion and biases. I have not seen every show and have not experienced all of the same villains as others. I might not have seen some of your personal faves. This list is also not exhaustive, as I have seen countless shows in my lifetime. Let me know in the comments if you would like more installments on this particular topic. We could probably get many more parts.
There may be spoilers for the shows Smallville, True Blood, Killing Eve, Breaking Bad, Marvel’s Daredevil, Marvel’s Jessica Jones, Marvel’s Luke Cage, Marvel’s Iron Fist, Game of Thrones, The Boys, Anne Rice’s Interview with the Vampire, Buffy the Vampire Slayer, Angel, Charmed (1998), Once Upon a Time, Rosewell, and Heroes.
Smallville: Lex and Lionel Luthor
Lex Luthor
Smallville’s Lex Luthor is THEE best live-action Lex Luthor we have ever had. Fight me in the street.
The slow-burn approach from friendship to bitter enemies between Clark and Lex was truly amazing. It made the inevitable beef all the more tragic and personal. Lex was a very complex and layered character. He was spoiled (yet emotionally neglected), entitled, brash, a complete genius, and damaged, but also noble at times. Lex wanted to be the kind of man Clark always was. He also wanted to win the trust and love of Clark’s family and friends. Unfortunately, the Luthor conditioning was too deep. Lex slowly but surely embraced the savagery and deception that came with it.
Lionel Luthor
Lionel was in a lot of ways foreshadowing of who Lex would become. All smiles and charm on the outside, Lionel was corrupt, calculating, devious, and mostly unempathetic. Lionel showed genuine interest in Martha Kent. He also showed rare glimpses of actual concern for Lex. However, Lionel was mostly rotten to the core, up until a failed body swap plot. This cured an incurable disease and filled him with the kind of love and empathy he never knew before. He even became an honest ally for Clark and his allies. However, even after this development, his rage and conniving never fully went away. We saw this when he forced Lana to fulfill her promise to Lex in season six.
Lex and Lionel’s relationship serves as the main foil to the loving, wholesome relationship of the Kent Family. The Luthors knew very little of genuine love. Lionel was extremely a*usive towards Lex most of his life. This helped usher in the devilish chess master who would emerge as the series went on.
The only truly good Luthor was Lex’s sister.
True Blood: Maryann Forrester, Russell Edgington & Lorena Krasiki
True Blood’s second season was their best, and Maryann was largely the reason for it. Fun, engaging, creepy as fuck, and the living embodiment of chaos and debauchery. Maryann literally brought out the worst in everyone around her. She was an incredibly powerful and effective villain, and she was a villainess to boot! What joy! She could only be stopped when she believed she could be stopped.
Russell Edgington too was an iconic villain, and the very next just behind Maryann. Charming, jovial, brutal, and chilling, though shorter in stature compared to several characters, he was god-like in strength. He was the definition of a Badass Gay, practically unstoppable and completely devoted to his ill-fated paramour, Talbot. The best thing about him was his actor. O’Hare always plays bad oh so well.
While devoted to Bill Compton, of all people, Lorena was the quintessential bad girl badass vampire sire. Much like Darla from Buffy and Angel or Katherine Pierce from The Vampire Diaries, it was lovely to see her be stronger than the series lead male. Seeing him try and miserably fail to physically overpower her brought me pure joy. While it was pathetic to see her so hellbent on getting Bill, the show established right away that the maker/progeny bond is powerful and beyond human comprehension. Lorena, like Lestat or even Eric Northman, was a vampire who reveled in her vampirism. I wish for nothing but laughs and joy for Lorena, Darla, and Katherine in some bar in the afterlife.
Breaking Bad: Gus Fring and Walter White
Gus Fring
Gus Fring is one of the very best written, developed, and performed villains in tv history. He is also Giancarlo Esposito’s most famous role to date. Fring is the epitome of the consummate professional, on the surface at least. Affable, punctual, professional, and ever-present at his chain of fried chicken restaurants. He wears that god-awful yellow shirt and a smile on his face and serves customers. However, Gus used his restaurants as a legitimate front for a drug empire. He took his anger out on employees when customers weren’t around to witness. Fring also had some of his own employees deported. He threatened to have Walter’s family murdered. Oh, and he was also a murderer. Fring was terrifying in how suddenly his faux smile would fade. His ultimate exit from the show will go down in history as one of the most memorable.
Walter White
Meanwhile, series protagonist himself, whose actor you might know as the frazzled, bumbling, yet ultimately good-natured father from Malcolm in the Middle, plays a very bad guy here. Though nuanced and not always a total monster like several of the other villains of the show, Breaking Bad ultimately reveals itself to be White’s villain origin story. He blackmailed Jesse to cook meth with him in the first place. Walt had laundromat employees deported. He barged his way back into his wife’s life after she understandably wanted him out. Let’s not forget he forced Jesse to kill Gale. He too was a murderer. Walt even hired Neo-Nazis to kill prisoners. He bombed a nursing home. In one of his worst moments, Walt let Jane Margolis fatally overdose to keep control over Jesse. The man was evil.
Killing Eve: Konstantin, Villanelle, and Carolyn Martens
As mentioned in my article on memorable queer characters, Killing Eve was at first an iconic piece of work for its initial two seasons. With intelligent writing, especially in its first season under Phoebe Waller-Bridge’s pen, and iconic acting performances, we got a myriad of layered characters.
Konstantin, Villainelle’s handler, was a master liar and manipulator. He was willing to do whatever it took to get what he wanted and took steps to stay ahead of Carolyn and Villanelle. Konstantin used Eve and anyone else to achieve his goals. He also hit Villaielle with that damn log just to get away and left his family to die (thankfully for him Villanelle didn’t kill them).
Villanelle herself was a fascinating look at someone with psychopathic tendencies and complex psychology. She was effective, competent, sapphic, charming, and looking for connection. She wanted Eve from the very start. Eve, with her own interesting psychological profile, often didn’t realize how she poked the bear, despite also risking it all to be near her and completely disrespecting her marriage for her true desire. Eve didn’t want Shepphard’s pie and Nico, she wanted danger and Villanelle. While complex, Villanelle was villainous, namely when she killed people like Bill and her ex Nadia.
Carolyn was initially a badass to aspire to. She was always several moves ahead, was never afraid to call out Eve on her hypocrisy, and played chess with the best of them. Unfortunately, she was ultimately an agent of the patriarchy and killed Villanelle right as she and Eve were going to have a life together. Fuck Carolyn. And fuck Laura Neal.
The Marvel Netflix Villains: Kingpin, Cottonmouth, Typhoid Mary, Kilgrave, & Black Mariah
The Marvel Netflix series (aside from Iron Fist) were some of the best, grittiest superhero-related shows we’ve ever had. There are even more villains than listed here, but some were either convoluted as hell with strange choices, such as Elektra being French and her whole “Black Sky” deal.
Kingpin
Kingpin was one of the most complex, sensitive, brilliant, romantic (where Vanessa was concerned, at least), and brutal villains who could utilize spin like no other. He was a villain who was not only an excellent adaptation of the comic character, but is equal parts brain and brawn, chess-mastering his plots to take over the city and its organized crime, and also taking on Daredevil mano-a-mano.
Cottonmouth
Cottonmouth, too, was a corrupt businessman and crime boss who was responsible for unsavory events in Harlem. While he could never physically stand up to Luke Cage, his mind and cunning were more than a match for Cage’s powers. While unfortunate, his ultimate exit from the show was a gutsy move on the writers’ parts that truly impressed, as most shows love to have villains be invincible if they prove popular, even if that doesn’t serve the plot. *cough* *cough* Sylar.
Kilgrave, The Purple Man
Kilgrave, perhaps even greater than Kingpin or Cottonmouth, was the ultimate antithesis of his adversary, Jessica Jones. A literal master manipulator whose powerful mind control powers meant he could use anyone anytime he pleased, his power lay in having people around to control, whereas Jessica’s guilt and trauma led to her routinely pushing people away as much as possible. Jessica Jones season one utilized expert writing, the main character’s trauma, carefully-crafted character development, and lighting and sound design to help Kilgrave’s presence be felt before he even first physically appeared in the present timeline.
Typhoid Mary
Though historically a Daredevil character, Typhoid Mary was introduced in Iron Fist season two. Having no rights to mutants at the time, the MCU version was a human hitwoman with Dissociative Identity Disorder. Deadly in her ‘Walker’ persona, Mary’s ‘Mary’ persona was her innocent primary who disassociated with her violent alter. Alice Eve’s performance was utterly awesome, and Mary was an underrated character saddled to a series with a lead that didn’t deserve her.
Black Mariah
Mariah Dillard, additionally, was an excellent villain saddled with a lackluster lead. Though miles better than Danny Rand, Luke Cage was corny as hell. That dab was nightmare fuel and cringe at the same time. Dillard was a standout along with Misty Knight, Cottonmouth, and others. Her arc with her daughter, another underrated villain, was inspired. Mariah was another publicly altruistic figure who was secretly hateful and scornful of others. Her secretly putting on hand sanitizer with a look of pure contempt after holding a child was a memorable character-establishing moment.
Game of Thrones: Cersei Lannister, Joffrey Baratheon, & Ramsay Bolton
Game of Thrones once had scores of audiences in a chokehold. It had been one of those shows. Shows competing with movies in theaters in terms of visual quality, expert acting performances, intriguing plots, and the like. While as an adaptation there were problems from the very beginning and people act like problems only came towards the end (a topic for another article), the show always managed to have villains we loved to hate.
Cersei Lannister
The beautiful but horrible Cersei was infamously screwing her own twin brother and he fathered all her children. She stole the Iron Throne multiple times. Cersei helped lead to beloved Ned Stark’s death, blew up the Sept, and killed Margery. Worst of all, she got the most lackluster death not befitting the cretin she was.
Joffrey Baratheon
It only makes sense that Joffrey was a piece of shit, given who his family was. Spoiled, entitled, petulant, and a smirking, sniveling bastard, his death was lauded by nearly everyone in-universe as well as in real life. Never has the death of a teenager been more celebrated. All respect to Gleeson, who said he inspired his performance on Joaquin Phoenix in Gladiator. He really did that.
Ramsay Bolton
Just when we thought the Lannisters (some of them anyway) were the worst of the worst, here came this bitch. Ramsay Bolton. His pure sadism and smug expression only added to the horrible things he did to Sansa, a character I always loved in spite of the fandom historically hating her for not being Arya (again a topic for another article). Then he killed poor Rickon! When his evil girlfriend got literally dropped and then he got eaten alive by his own hungry wolves, I cheered. Rest in pieces, muthafucka.
The Boys: Homelander
While it seems these days we get nothing but evil Superman stories, very few have done it better than The Boys. Really a composite of both Superman and Captain America, two iconic heroes who symbolize the unwavering altruistic goodness of American propaganda, Homelander accurately mirrors the evil that white America has done and often continues to do. Murderous and entitled beyond comprehension with a god complex? If that’s not the status quo, I don’t know what is.
The fact that Homelander is barely held together by the thinnest veneer of heroism, civility, and duty, is just icing on the cake. Also wonderful is the fact that he ultimately wants to be universally loved and feared. All of that and his being handled by corporate powers that be show that he is more than just an evil Superman. He is the very worst of white America given human form. He’s even a r*pist and willingly participated in domestic terrorism.
Anne Rice’s Interview with the Vampire: Lestat de Lioncourt
Anne Rice was the queen of vampire literature. She is the one who created, or revolutionized, the sexy vampire bad boy, plus hers were of the homoerotic variety. And no one epitomizes the sexy vampire bad boy better than Lestat. He did it long before Spike, Damon Salvatore, or Klaus Mikelson.
When it was announced that Anne Rice’s famed works would once again be adapted, this time in tv form on AMC, people were nervous. Some folks did not care for it. But a lot of people loved Anne Rice’s Interview with the Vampire. From incredible performances across the board to racial updates that deepened the lore (especially where Louis was concerned), and a more unambiguously queer love between Lestat and Louis, people were impressed.
Sexy as Lestat, Louis, and their initial chemistry were, the show did an excellent job of showing that a vampire such as Lestat is not one for healthy love. He is a vampire. Vampires are sensation and toxicity incarnate. Their existence is inherently selfish, as they must feed on the living in order to exist. Lestat showed Louis and Claudia time and time again that love and family for vampires are not anything resembling those of humans. Lestat’s looks and charm giving way to his monstrous brutality and savagery was a thing of brilliance.
Buffy the Vampire: Glory, Darla, Angelus, Spike & Drusilla
Joss Whedon, as hopefully all of us know by now, is a piece of shit. Unfortunately, he had 90s pop culture in a chokehold with Buffy the Vampire Slayer. Its fun heroes, memorable episodes and storylines, and rich lore helped cement its place in pop culture history, let alone supernatural teen dramas. But perhaps some of the strongest elements of Buffy was its villains, namely its big bads.
Glory
Glory was very fun, hilarious, and unexpectedly powerful. Buffy’s face and reaction to learning Glory was no mere demon, but rather an actual god was both funny AF and iconic (“oh”). Up until Glory, the female combatants Buffy faced were either a match (Faith) or not as strong as her (Darla and Drusilla). Glory shrugged off Buffy’s superstrong blows as if they were mere annoyances, sending her flying with her own hits. Glory’s true weakness being that she had to share a body with a human dude was just great.
Darla
Darla is one of pop culture’s first vampire female sires of a popular male vampire character. She used her beauty to lure in men for the kill. In life, she had been a sex worker who was dying of tuberculosis in the 16th century. Because of her profession and her affliction, she was shunned by the church, which instilled a deep hatred for religion. Darla loved religious wars, as they symbolized the ultimate hypocrisy of systems meant to bring salvation to others. She was turned just before death and she reveled in her vampire powers and vitality. Darla eventually met Liam, whom she turned and renamed Angelus. He was the love of her life, displaying a sadistic cruelty that rivaled her own.
Darla is fascinating in that she is the dark shadow Angel could never fully shake. She was the reminder of the evil that begot him, and the evil they did together. Darla was a vampire who loved being bad. She never understood Angel’s curse that left him with both a soul and morality nor his love for Buffy. Darla’s resurrection in Angel’s spin-off showed even more dimensions to her character, as Angel tried desperately to save her life. Her final act of self-sacrifice to allow their son to be born was her one selfless action. But Darla was always her best when she was the dark angel whispering in Angel’s ear and reveling in violence.
Angelus
Angel, the vampire with the soul, is somewhat boring compared to the likes of Spike or even Darla. Angelus is another story. He is more charming, more jovial, more cunning, and above all utterly sadistic. It is when Angel becomes Angelus that we see how Darla fell for him in the first place. While Spike loves pure violence, Angelus loves to torment and spread pure terror and despair above all else. His stalking and eventual attack and turning of Drusilla was the most evident of this.
Angelus works because he is the polar opposite of the sad, brooding, heroic vampire we are generally used to with Angel. He revels in sensation, and denies himself no pleasure. And his greatest pleasure is making people suffer.
Spike
He’s everyone’s favorite vampire in this franchise for a reason. Expertly played by James Marsters, Spike is funny, charismatic, snarky, clever, and resourceful. But he works best, much like Darla, Lestat, Damon, and others, when he’s bad. While Marsters performance means he’s always enjoyable even when he’s a crying mess or pure comic relief.
The main drawback to Spike’s character was that horrible attempted assault scene towards the end of season 6. It was so bad, Marsters put a clause in his contract to never be asked to do another one for any future role or scene. That and the fact that Whedon decided to turn Spike into a total woobie for Buffy’s love. While an attraction is not out of the question, certain pairings work and others don’t. After that attempted assault… everyone should have said no to that ship.
Drusilla
Drusilla had originally been a young maiden on her way to sainthood when she was targeted, attacked, and turned by Angelus. The sheer trauma from the experience as well as her formidable psychic powers paved the way for extensive mental issues and one very unhinged vampire. Drusilla herself had turned Spike and the two became inseparable lovers. They were an iconic chaotic couple alongside Darla and Angelus who were more ordered but equally cruel and bloodthirsty. They were a family.
Drusilla stands out amongst all of the vampires of Buffy and Angel in that she has psychic powers she retained from her humanity, she rarely shows her vampire face, and she was the one who turned Darla back into a vampire when she was resurrected as a human. As Gunn put it, the granddaughter remade the grandmother. Drusilla was the ultimate match for the best version of Spike. They were a delicious pair when they were being bad together.
Charmed: The Source of All Evil, Cole Turner, and the Seer
The Source
The Source of All Evil, often simply called The Source, is Charmed‘s answer to the devil. He often worked from the shadows to scheme against the sisters, and it was he who sent Shax to kill Prue. The Source was one of the first recurring threats and a big bad for the series. The main shame is that his big return in later seasons was a letdown, as he died almost immediately before doing anything effective.
Cole Turner
Cole Turner was the great love of Phoebe Halliwell’s life. Though not the final love, Cole was the one who spent the most time as Phoebe’s love interest. Expertly performed and providing one of pop culture’s very best lovers-to-enemies to vice versa (over and over again) we have ever seen. His chemistry with Phoebe was scorching. He was brilliant, emotional, charming as hell, sexy, and morally all over the place. Cole worked when he was bad and conflicted by love, but his turn to good was actually very well-handled… until it wasn’t. The actor leaving the show meant hastily character-assassinating him, figuratively and literally, to provide an exit. He did a lot for his wife and her sisters, but apparently “he was never good”. Ok, Phoebe.
The Seer
Not to be confused with Kira the Seer from later seasons, played by Cordelia Chase herself. The original Seer was a cool, calm, and collected demon who rarely showed a lot of rage. She was smart, she knew how to stand back and concoct a plan and set events in motion. Even when earlier on encountering the sisters, the two forces didn’t attack each other, because the Seer wasn’t really much for fighting and wasn’t an obvious immediate threat, or so the sisters thought.
Using Cole and Phoebe’s love to engineer a plot to take the power of the Source into herself was brilliant. Aside from the confusing logistics as to whether the baby was really hers, as the Seer claimed, or was really part Halliwell, ultimately the power of the fetus was too strong for her body to hold. Halliwell magic also helped end her threat, right as she was getting started. She was an underrated and worthy character and a noteworthy Black woman villain in this type of show.
Once Upon a Time: Regina Mills aka The Evil Queen
Once Upon a Time had many villains, but no one did it better than Regina Mills, the Evil Queen. Ignoring her eventual lackluster romance with Robin Hood, *groan*, Regina was always a delight on screen. A powerful sorceress, petty, uncompromising, and sinister, she knew how to conjure up chaos whenever it suited her. Regina’s most shameful act was her continued assault of the Hunstman before killing him right as he found love with Emma. Emma and Graham were one of the show’s only decent hetero ships.
Speaking of ships, Regina and Emma should have happened. Had either of them been male, they would have banged very quickly. They already shared a child. It would have been miles better than Emma and Hook (aka Mr. Pretty but BO-RING), or Regina and Robin. Regina, like many villains on this list, got a redemption arc. Hers was interesting in that people, understandably, did not easily trust or forgive her. She killed and controlled a lot of people. She laid curses on the entire land. And though the narrative didn’t bring it up or properly address it, she assaulted a person. But above all else, Lana Parilla was the standout of the entire cast and was phenomenal, especially when she got to be bad.
Honorable Mentions/Conclusion
For some, a hero, a team, or a story is only as good as its villains. Many shows have featured memorable villains, including ones I didn’t list above. How about a primordial being once possessing Cordelia Chase in Angel who would eventually be portrayed by the incomparable Gina Torres once she got her own body? What about the alien who killed Alex in the original Rosewell series? Maybe the utterly contemptible Neo-Nazi who was the final big bad of Breaking Bad? Remember the sociopathic serial killer who killed people for their powers on Heroes?
Like with any character, villains can be great at one point, ruined the next, or solid the entire time. Do you prefer a complex, nuanced villain? One who just wants to watch the world burn and make people suffer? Folks whose motivations make sense, whether or not you agree with their methods? Do you like redemption arcs? Villains softened or tamed by love? Or do you like villains who engage in toxic love with fellow villains? Your mileage may vary. Tell me what kind of villains you like in the comments below.
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